even if you have Never held one of his namesake instruments, you probably know Paul Designed one of the first solid-body electric guitars. Surprisingly, Gibson, who built the guitar, feared that this radical new direction in instrument design would fail, not even showing a prototype to the public for years.
But the Gibson Les Paul was far from the first electric guitar. In 1931, the first electrically amplified stringed instrument sold commercially was a simple all-metal cast aluminum lapped steel guitar nicknamed “pan“—someone Adolph Rickenbacker invented the electromagnetic pickup for it.
Today, 90 years later, Kassel, Germany-based industrial designer Robin Stummvoll Verso Instrument, is going back to basics, and seems to be taking inspiration from the electric guitar’s humble beginnings. With no formal luthier training, Stummvoll decided to keep electric guitar parts to a minimum, thereby reducing the amount of material used to make each instrument.
“Allan Gittler made a guitar in the ’70s [held in the MoMA design collection] It’s basically just a steel rod with steel frets welded on it,” says Stummvoll. “It’s really the bare minimum required for a guitar, but it’s very complicated and expensive to make. So my approach is to be able to do this in a smaller shop but create a new perspective for the luthier. “
instead of a piece of wood, CosmoThe body is a carefully bent powder-coated steel sheet. Not only does this ergonomic shape contain the circuitry needed to make the guitar work, it also allows for innovative ways to place the pickups, where the sensor captures the mechanical vibrations of the strings and converts them into electrical signals that can be amplified and played back by a speaker.
Pickups are usually attached to the body of the guitar, but where they are placed can affect the tone of the sound produced. That’s why you’ll see multiple pickups in different locations like a Fender Stratocaster or Les Paul. Stummvoll makes his pickups movable, so they can be moved around and placed where the player chooses.
“It was a happy accident,” explains Stummvoll. “That wasn’t the intent.” Since the pickups are magnetic, they naturally attach themselves to the surface of the Cosmo’s metal body. Stummvoll recognized the potential benefits of this in terms of sound versatility as a feature.you can watch and listen Some YouTube demo The sound of this change.
“It’s got its own character and sound, a very warm and resonant tone with a lot of harmonic content, but it’s not weird or weird,” Stummvoll said. “I’d say it’s somewhere between an electric guitar and an acoustic guitar. time, because you have these additional overtones—but more of an electric guitar.”
and the $1,781 (€1,710) Cosmo and the brand’s gravity Bass guitar, Stummvoll has now released his latest work, $1,935 (€1,860) trackOne baritone Guitar. In addition to featuring Verso’s signature removable pickups, Stummvoll says the Orbit’s long 28.5-inch (720mm) scale gives the instrument a precise and tough bass response in standard B-to-B or A-to-A tunings, while The added length obviously brings a lot of support as well.
Stummvoll also claims that the Orbit’s “natural vibrato is less pronounced than the Cosmo, which makes it more suitable for distorted sounds.” Metal lovers, take note.