‘Triangle of Sorrows’ wins Palme d’Or at Cannes Film Festival

CANNES, France — Swedish director Ruben Ostrund’s class war comedy “Triangle of Sorrows” won the Palme d’Or at the 75th Cannes Film Festival on Saturday, making Ostrund his second One of the most prestigious awards in the film industry.

Ostlund won the Palme d’Or in 2017 for his art scene “The Square,” a rare feat of taking home the top prize at Cannes for back-to-back films. “Triangle of Sorrow” furthers the irony with Woody Harrelson’s role as a Marxist yacht captain and a climactic scene with rampant vomiting.

“We wanted to go out together (for people) after the screening and have something to say,” Ostrund said. “We all agree that the unique thing about movies is that we watch them together. So we have to keep something to talk about, but we should also have fun and be entertained.”

The award was chosen by a nine-member jury led by French actor Vincent Lindon and presented at a closing ceremony on Saturday at the Grand Lumiere Theatre in Cannes.

The jury’s second prize, the Grand Prix, was shared by Belgian director Lukas Dhont’s tender childhood drama “Close,” about two 13-year-old boys in their close Relationship tragically parted after being ridiculed by classmates; and French filmmaking legend Claire Denis’ “Noonday Star,” adapted by Dennis Johnson, with Margaret Cooley as a journalist in Nicaragua.

The director award went to South Korean filmmaker Park Chan-wook (“Old Boy,” “The Handmaid”) for his twisty noir “Decided to Leave,” a romance with a police procedural twist.

South Korean star Song Kang-ho was named best actor for his performance in the Japanese director Hirokazu Koreeda’s “The Agent,” about a South Korean family finding a home for an abandoned baby.

“I want to thank everyone who appreciates Korean films,” said Song, who starred in Bong Joon-ho’s Palme d’Or winner “Parasite,” three years ago in Cannes.

Best Actress goes to Zar Amir Ebrahimi for her role as a reporter in Ali Abbasi’s Holy Spider, a film A true crime thriller about a serial killer of sex workers in the religious city of Mashhad in Iran. Violent and graphic, “Holy Spider” was not allowed to be filmed in Iran, but was made in Jordan. Accepting the award, Ebrahimi said the film depicts “everything that is impossible to show in Iran”.

The Jury Prize was split between Charlotte Vandermeersch and Felix Van Groeningen’s friendship tale “Eight Hills” and Polish director Jerzy Skolimowski’s “EO” about a donkey’s journey through unforgiving modern Europe.
“I want to thank my donkeys,” said Skolimovsky, who also named all six donkeys used in the film.

The jury also awarded a special prize at the 75th Cannes Film Festival to Belgian directors Jean-Pierre and Luke Darden, two Palme d’Or winners and long-time regular appearances at Cannes, their immigrant “Tori and Lokita”. Swedish-Egyptian filmmaker Tarik Saleh has won best screenplay at Cannes for his thriller “The Boy from Heaven,” set in Cairo’s Al-Azhar Mosque.

Riley Keough and Gina Gammell won the Best First Film Award, Camée d’Or, for their feature film “War Pony” about the Pine Ridge Reserve in collaboration with the citizens of Oglala Lakota and Sicangu Lakota.

Saturday’s closing ceremony wrapped up the Cannes Film Festival, which attempted to fully revive the annual French event that was canceled in 2020 due to the pandemic, and last year’s crowds were small. This year’s festival is also set against the backdrop of the war in Ukraine, which has sparked protests on the red carpet and conversations about the purpose of wartime films.

Last year, French body-horror thriller “Titans” took home the top prize at the Cannes Film Festival, making director Julia de Kunau the second female director to win the Palme d’Or. In 2019, Bong Joon-ho’s “Parasite” won the top prize at Cannes, followed by a big win at the Oscars.

This year, Cannes’ biggest Hollywood films — “Elvis,” “Top Gun: The Maverick,” “Three Thousand Years of Desire” — screened outside the festival’s 21-film competition lineup. But their presence has helped restore some of Cannes’ charm after the pandemic shrunk the festival over the past two years.

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