‘Paramount Presents: The Man Who Shoots the Liberty Drapery’ 4K Ultra HD Movie Review

Director John Ford’s Last Great Western Debuts in Ultra HD Paramount Presents: The Man Who Shoots the Veil of Liberty (Paramount Pictures Home Entertainment, Unrated, 1.85:1 Aspect Ratio, 123 Minutes, $39.99).

This 1962 black-and-white classic travels from once-simple lawyer and now-famous Senator Ransome Stoddard (James Stewart) to the small town of Simborn to mourn his friend Tom Donifin (John Stewart). Wayne)’s death begins.

He is quickly coaxed by a nosy news editor about how he gained notoriety as the man who killed the vicious and sadistic outlaw Liberty Valance (Lee Marvin).

The deadly act has now come to light as the film flashes back to 25 years ago when Ransom was repeatedly humiliated by gangsters, leading to his ultimate shootout having far-reaching consequences.

It also focuses on his budding friendship with Gunner Donifon and Ranson’s romantic interest in Donifon’s girlfriend, Halle Stoddard (Vera Myers).

It has to be said that the performances of the two veteran actors did not disappoint.

Wayne is the quintessential cowboy, with his fabulous swagger, omniscient smile, and dropped his famous “Pilgrim” lexicon within minutes of entering the screen.

Stewart maintains his classic, supremely sincere image of the common man, showing the courage to fight evil and go it alone.

They are heavily supported by a cast of well-known character actors, including Oscar winner Edmond O’Brien as news editor Dutton Peabody, Roy Rogers Co-star Andy Devine as Marshal Link Appleyard and pasta western staples Lee Van Cleef and “Cool Hand Luke” Strother Martin as Valance’s henchman.

Ford’s masterpiece goes beyond the typical early Western genre to denounce the violence that romanticized the Old West. A revelation in the plot shows the aftermath of a murder that, even justifiable, can end up making one a legend and emotionally destroying another’s life.

4K in action: Paramount has a new and detailed Ultra HD remake of the movie, offering home theater owners the best version of this important Western selected for preservation by the National Film Registry.

2160p visuals deliver exceptional clarity with only slight grain and zero popping, dirt or speckling, while high dynamic range adjustments focus on bringing Ford and cinematographer William H. Especially important in shootouts.

Sharp details show some of the hard work that has gone into giving new life to the “shooter of the free drapery” in the digital realm.

Audiences will love examining the texture of the cloth vest; the braid of twine; the wrinkled binding on the side of the book; the clump of dust on Donifon’s shirt; the scratches and blemishes on the wooden surface in front of the podium; Metal.

Best Extras: All included on the Blu-ray version of the film, the goodies start with the filmmaker’s spotlight, which is standard in the “Paramount Gift” series.

This time with renowned film critic Leonard Maltin for nearly eight minutes on the origins of the story; the atypical filming locations of Ford Westerns; cinematography; and reminding us that actors are too old for roles, But they still performed well.

Next, Paramount offers a selection of extras from its 2009 DVD Centennial Collector’s Edition, starting with a commentary by respected director and film historian Peter Bogdanovich, and adding Dossier insights from Ford and Stewart.

Bogdanovich is in a very soft-spoken and deeply introspective mood throughout, and it’s sometimes hard to stay awake to appreciate his academic and analytical remarks, but with commentary from the director and star, it’s worth listening to .

Ford’s grandson and biographer Dan Ford, the second limited track, commented on just seven select scenes aided by archival interviews with directors Stewart and Marvin.

Completing the digital production is “The Scale of a Legend, the Soul of a Myth,” a seven-chapter, nearly hour-long retrospective of the film.

Complemented by home movies; still images; archive of interviews with producers AC Lyles and Marvin’s wife Pamela; and analysis by critics such as Molly Haskell, Richard Schickel, Scott Eyman, and historian Michael F. Blake, all of whom Insights into the production, cast, and grumpy director.

In addition, the sofa cover opens into a folded replica of the original colorful poster.



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