Happily, the children are very talented McKenna Grace (“genius”, “The Handmaid’s Tale”
) with “Stranger Things”
Finn Wolfhard, grandson of Egon Spengler (originally created by The late Harold Remis
). Egon died, leaving a remote farmhouse to his estranged daughter (Carrie Kuhn), who moved in time for financial reasons.
Walking into this place, Phoebe (Grace) and Trevor (Wolfhard) find that many strange things have happened in the town—starting with all those unexplainable earthquakes—and some of the things that grandpa has Beautiful artifacts. Phoebe has a scientific acumen far beyond her age, and her brother is mostly just a new classmate (Celeste O’Connor) who is obsessed with him.
At the same time, the mother established a somewhat unexpected relationship with a teacher of the child (Paul Luther
, Seems to be everywhere at the same time), with the addition of an adult element, which produces some laughter during most of the movie, but sits frankly in the passenger seat. (Coon is a talented actress, but there is a bit of “ET” mother syndrome here, she can’t see all the weird things that happen to her.)
Ingeniously, this movie (written by Jason Reitman, Dan Aykroyd, and Gil Kenan) does establish a dense mythology, tracing this series of ghost pranks back to the 1980s, and at the same time, it is interestingly integrated into the reminiscence of the past The visual effects of “Ghost Expendables”. There are also interesting irrelevant gimmicks, such as Rudd’s character passing summer school by simply running a very inappropriate horror movie.
In some respects, “the afterlife” represents a rather conspicuous event in fan service The female version of the concept
It was first broadcast five years ago. Although the movie was flawed, the reaction seemed completely abnormal, elevating “Ghostbusters” to the exaggerated level of “You ruined my childhood!” improve.
Reitman Sr. served as the producer of the film, along with Aykroyd, Bill Murray and Ernie Hudson Promote the movie
-Not the only connection to the roots of the Reagan era. Nevertheless, this is a film that does not cross the stream but is immersed in a deep well of goodwill, hoping to bridge the gap between those who have actually seen the original in the theater and the children and grandchildren who wish to identify with the young protagonists.
The best “Ghostbusters: Afterlife” just provides a good time, combining upgraded special effects with comedy and youthful anxiety, and it takes a while to see the good things.
Breaking down into these components, the young Reitman dutifully responded to the call to inherit the family heritage, and did not fully imagine the spark that would make the “afterlife” fully adapt to this situation.
“Ghostbusters: Afterlife” premiered in American theaters on November 19. It is rated PG-13.