Film is a game of expression and narrative writing, while architecture is a bold and enduring identity that speaks for itself through architectural structures. Both share a deep connection that is both superficial and profound. Architecture adds the authenticity and credibility the director needs to make his films reflect the story and setting as faithfully as possible. The emergence of the “art director” as an integral part of filmmaking is the most powerful proof.
Architecture and film are different art forms, realized through the joint efforts of a team of experts and assistants. Still, the two art forms intersect, producing a magical journey into the world of cinema. The architecture of the movie is similar to teleportation. No one can understand the look and feel the writer is trying to convey without a visual or scene to mimic or illustrate the storyline. It is important that the designer has the ability to create a believable environment to weave the story.
Whether it’s the awe-inspiring Hogwarts Castle in the Harry Potter movies, or the futuristic Los Angeles of Blade Runner, it wouldn’t be possible without the fusion of the two art forms.
We are lost in an imaginary, different world while watching a movie; even the most realistic films are “created” to feel that way. On a film crew, this is the job of the production designer. When working with filmmakers and directors of photography, production designers must provide appropriate visual context for characters and stories. In recent years, the production design of Hindi films has become more relevant and less dramatic.Use a larger than life canvas in some cases, e.g. Dharma production‘Luxurious epic drama CalanqueAs stories have grown in scope and depth, so have production designs or oversimplified film looks, with the goal of standardizing with international films. The world of Hindi cinema is opulent and dreamlike. We’ve all been fascinated, fascinated, and inspired by the huge palatial sets or lavish villas where actors live their screen lives. So we decided to look at some of the most beautiful and expensive sets Bollywood has ever seen. Get ready to be amazed by the stories behind these massive structures.
Sanjay Leela Bhansali is an aesthetician and artist as evidenced by his films Black, Hum Dil De Chuke Sanam and his 2018 release, Padma Watt. Many were captivated by the film’s grandiose sets, brilliant colors and lavish accessories. Surprisingly, the film was supposed to be filmed at Chito Fort in Rajasthan, but due to protests and vandalism, Sanjay Leela Bansali was forced to rebuild the fort in Mumbai, increasing production costs. For the fort, the designer took inspiration from ancient Rajasthani miniatures. The crew decided to use muted colors indoors, and they also shot a lot of stills. Later, in digital intermediate, these shots are color corrected to achieve the desired effect. The fort has a huge lighting installation with 15 generators running at any given time.
How often do we see a fantasy Bollywood movie on par with any Hollywood movie? indian thugDirected by Yash Raj, it comes to a close with a fantastic cast and a massive set. A team of designers worked for nearly three years before the film was made to achieve the ideal look and feel. Not only did the production company spend on high-quality visual effects, but two ships, weighing more than 200 tons, were built with the help of 1,000 people, including international designers and shipbuilders. In fact, the ships are said to be the most complex part of the film.
Ali Abbas Zafar’s $2 billion blockbuster starring Salman Khan and Katrina Kaif is one of the biggest openers in the country’s history. Anyone who’s seen the movie knows that it’s nothing short of a spectacle. Filmmakers believed that going to the circus was a popular form of entertainment in India in the 1960s, and they wanted to recreate the atmosphere. The set is 40 feet high, Bharat The circus includes everything from prop painting to design blueprints to Salman’s jumping ring of fire and more. Director Ali Abbas Zafar discusses sourcing many artists from around the world for the Grand Circus. Walkers, jugglers, flame-breathers, acrobats, trapeze, hoops, rope artists, and more are all hired to make the circus look real. In the scene of Salman Khan and Katrina Kaif’s Bharat, 120 artists are seen every day. The set cost of the film is said to be no less than Rs 150 crore.
Those of you who like period pieces may have seen this Ashutosh Gowariker movie many times, not only for the music or costumes, but also for the sets. Set designer Nitin Desai took many photos of Agra and Jaipur as reference points. He then painstakingly produced an exact replica of the interior of Karjat Amer Fort. He also built inch by inch replicas of Agra Fort, Deewan-i-Aam, Deewan-i-Khas, Jodha Mahal and the fully landscaped Mughal Gardens. The set is 1,600 feet long, 600 feet wide and 68 feet high. The fort is seven stories high and made of concrete, fiber, asbestos panels, scaffolding and pipes.
The Epic of Sanjay Leela Bansali Bajirao Mastani is another visually stunning treat. The film was shot in Aaina Mahal and the director/producer tried to create a scene inspired by the Mughal-e-Azam aesthetic. The brief called for a rebuilding of the grandeur of the marathon. It took about 8 to 9 years of research to build 23 large sets. The most difficult challenge is to rebuild Shaniwar Wada in Pune, which is no longer there. The structure was rebuilt using some architectural elements in the Cinema City in Mumbai. For the court, 50-foot-tall columns were built with water features on either side to showcase the duba. The space features 20,000 elaborate mirrors and 13 chandeliers. The set took the team more than a month to build.
The Anurag Kashyap film grossed Rs. The box office was 430 million and received wide acclaim. Since the show is set in the 1950s, the entire city of Mumbai had to be rebuilt. To recreate Mumbai, the set designers drew inspiration from existing architecture, photography, and pictorial references in archives, films, museums, libraries and art deco architecture books. These sets are made in Sri Lanka to save money. From buildings to houses, from signage to decor, every detail is considered. An important issue was Mumbai’s credibility in the 1950s. Few cities in the subcontinent could match the dynamism that Mumbai displayed at the time. art deco style, Bombay Velvet Utilizing almost every frame, is the driving force behind the city’s “new modernism”. Art Deco, although most enthusiastically expressed in the field of architecture, is not limited or defined solely by it. The set cost a whopping $160 million to build.
There is no doubt that architecture plays a role in the art of cinema, just as cinema has walked and influenced modern architecture, to what extent these art forms can influence and function with each other. .